Films “Based On Actual Events” or “Inspired By A True Story” often explore characters and their relationships without changing the time period or setting. Others follow history more closely, using the Civil War or 1950s as a backdrop and concentrating on a specific story. ![]() Hitler, for example, died by suicide in a bunker, not burned alive at the Le Gamaar Cinema as in Inglourious Basterds. Some films alter major events, which falls more under the rewriting category, forcing the viewer to see a completely new world that strays from everything we’ve learned about those events. This contradicts what many believe this particular niche in the wheelhouse of storytelling is all about, although there is a fine line between rewriting and revising. The mansion became a slaughterhouse, invaded by brainwashed hippies slicing away like puppets on strings tied to the fingers of Charles Manson. While Polanski was away in Europe, three shadowy figures lurked through the dark, drawing knives as they crept onto the sprawling three-acre property. On the same date in real life, Margot Robbie wasn’t Tate and Rick Dalton didn’t exist. ![]() Tate and her friends really were in the house that night, but as we all know, the movie is a far cry from what actually happened. Once Upon a Time in Hollywood ended lightheartedly, the only true parallel being the address. But we now have a perspective of what that time was like to be there.” We all know Gump did not get a medal of honor at the White House or speak at the Monument in DC. “ Did we get it right? Can I learn something new that will affect my perception of the world?… Whether it’s Lee Daniels’ The Butler starring Forest Whitaker as Cecil Gaines or Tom Hanks’ Forest Gump, we like to see history revised just enough so we can practically participate with the hero. “ For me, they make us question and review our own perspectives on history,” said Gary Goldman, a producer and director on shows like Shameless, Entourage, Valley of the Boom, and House of Lies. Screenwriters and filmmakers create their own reinterpretations, reworkings, or reimaginings, which are not necessarily inaccurate, but depending on the impact of the film, can bring out new evidence that influences society’s view of historically recorded events. ![]() There’s a twist in narrative Tarantino uses, and countless others before him, that has covered thousands of stories and public figures since the beginning of time. She is Sharon Tate, the pregnant starlet married to world-renowned director Roman Polanski. He’s playing the role of faded movie star Rick Dalton, talking to the voice of Margo Robbie through a speaker. It’s the end of Once Upon A Time In Hollywood and Leonardo DiCaprio stands outside the gates. Tucked comfortably away behind hedges on Cielo Drive, a French country-style mansion sits with five people alive and well inside. It’s August 8, 1969, in the Beverly Crest neighborhood of Los Angeles.
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